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HomeBusiness & FinanceBeyond Tickets: VERSANT's Fandango Acquires INDY, Aiming to Become Cinema's "Digital Backbone"

Beyond Tickets: VERSANT’s Fandango Acquires INDY, Aiming to Become Cinema’s “Digital Backbone”

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New York, NY – December 4, 2025 – In a strategic move set to reshape cinema operations, VERSANT, Comcast’s anticipated spin-off of select media brands and digital businesses, announced its acquisition of INDY Cinema Group.

This is a deliberate strengthening of Fandango, the nation’s leading online movie ticketer, by integrating a modern, cloud-based cinema operating system directly into its offerings.

INDY Cinema Group brings a robust, vertically integrated software platform to the table. This system is designed to handle everything from ticketing and point-of-sale to concessions, loyalty programs, marketing, inventory, and real-time analytics. With a footprint in nearly 300 locations globally and multi-language capabilities, INDY doesn’t just boost Fandango’s domestic standing; it clears a path for serious international expansion and deeper operational integration.

Fandango, known for ticketing across 31,000 U.S. movie screens and boasting properties like Rotten Tomatoes and Fandango at Home (formerly Vudu), is clearly positioning itself to be more than just a ticket seller.

This acquisition aligns perfectly with VERSANT’s broader strategy: transforming vertical businesses by extending into technology, services, and direct consumer engagement.

VERSANT, planned as an independent publicly traded media company spun off from Comcast, will comprise significant assets including cable networks like USA Network, CNBC, and E!, alongside digital ventures such as GolfNow, Rotten Tomatoes, and now, a more robust Fandango. Just as GolfNow evolved from a simple booking platform into a comprehensive golf management system, Fandango aims to become the operational heart of the cinema experience.

Mark Lazarus, CEO of VERSANT, highlighted this approach, stating, “At VERSANT, we have a track record of building vertical businesses that extend well beyond their origins.”

Will McIntosh, President, Digital Platforms and Ventures, VERSANT, went further, proclaiming Fandango and INDY together are “positioned to become the digital backbone of modern exhibition.” It’s a bold claim, promising to not only strengthen support for Fandango’s nearly 3,000 U.S. cinema partners but also to create a “new global standard.”

Ian and Carmen Brown, Co-Founders of INDY Cinema Group, expressed their enthusiasm, noting a shared vision with Fandango to tackle outdated tools that held theaters back. Their mission was to provide a “smarter, more flexible and intuitive solution.” Joining forces under VERSANT and Fandango, they believe, will allow them to push this vision even further, elevating cinemas worldwide.

But does this truly mark a “new global standard,” or is it simply smart consolidation in a fragmented market? While the promise of streamlined operations and cost efficiencies for cinemas is attractive, the impact on smaller, independent theaters, or indeed, the broader competitive landscape, remains to be seen.

Will this integration foster innovation, or simply standardize the market under a larger player? Only time will tell if this ambitious digital backbone truly empowers cinemas, or subtly centralizes control in new ways.


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